Dr. Todd Michael Borgerding

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Todd Borgerding
Department, Office, or School
Department of Music
Council of Rhode Island College
  • Associate Professor

Education

  • University of Michigan,  Ph.D. in Musicology  
  • University of Minnesota, M.A. in Musicology,
  • Minnesota State University, Mankato.  B.S. in Music Education

Selected Publications

  • Gender, Sexuality and Early Music, vol. 4 of Criticism and Analysis of Early Music, Jessie Ann Owens, general editor.  New York: Routledge, 2002.
  • “Imagining the Sacred Body:  Choirboys, Their Voices, and Corpus Christi in Early Modern Seville.”  In Musical Childhoods and the Cultures of Youth, edited by Susan Boynton and Roe-Min Kok. Middletown, CT: Weslyan University Press, 2006.
  • With  Louise K. Stein, “Spain, 1530-1600.”   In Studies in Western European Music, 1500-1650.  Edited by James Haar. London: Boydell and Brewer, 2006.
    Review of Studies in the Music of Tomás Luis de Victoria, by Eugene Casjen Cramer.  Music and Letters 84 (2003):  654-656.
  • “’Sic ego te dilegebam’:  Music, Homoeroticism, and the Sacred in Early Modern Europe,” in Gender, Sexuality and Early Music. New York: Routledge, 2002.
  • “Preachers, Pronunciatio, and Music:  Toward an Understanding of Rhetoric and Vocal Polyphony,” The Musical Quarterly 82 (1999) 586-598.
  • Biographical and Works essays on Juan Manuel Olivares and Vicente Lusitano in The International Dictionary of Black Composers. Chicago and London: Fitzroy Dearborn, 1999.

Conference papers and lectures presented at conferences and symposia including Institutio Mila i Fontanals (Barcelona), The University of Nottingham, Northwestern University, Boston College, Yale Institute of Sacred Music, International Congress Conference Pro Victoria, León, Valencia, The Renaissance Society of America, McGill University, Washington University, St. Louis, The Society for Spanish and Portuguese Historical Studies, Madrid, The Annual Meeting of the American Musicological Society, and The City University of New York Graduate Center.​​

Courses

  • MUS 230  Music Theory I
  • MUS 232  Music Theory II
  • MUS 234  Music Theory III
  • MUS 236  Music Theory IV
  • MUS 235 Sight Singing and Ear Training III
  • MUS 237 Sight Singing and Ear Training IV
  • MUS 323 Counterpoint
  • MUS 305  Form and Analysis
  • MUS 310 Medieval and Renaissance Music
  • MUS 360 Seminar in Music History and Literature

Specializations

  • Renaissance Music
  • Counterpoint
  • Gender and Sexuality Theory
  • Music of Spain and Latin America
  • Renaissance and Baroque Performance Practice
  • Basso Continuo